FREN4422 · Romance Languages and Literatures
Morrissey College of Arts & Sciences
Since the appearance of Roland Barthes' article, "The Death of the Author" (1968), this eye-catching phrase has received much attention. But if the author is dead, then who does the writing? This course covers a period of 20th century French literature and criticism during which the traditional figure of the literary author fades, and a new kind of literature appears, one that seeks to be mechanical, impersonal, and based on objective rules. What did this literature look like? It was playful but rigorous, and it was based on constraints that were specific to a given author or group. This course will consider a variety of works including films and visual arts that address these issues. We will also trace the way the so-called "death of author" may have helped prepare a return of the subject and history into literature and criticism. Our ultimate goal will be to understand better what is the most "alive" in the literary and social questions we face today. Conducted in French.
Course experience
Averages use the original five-point historical evaluation scale.
Organization
5.0 / 5
How well the course was organized
Challenge
5.0 / 5
How intellectually challenging students found it
Attendance
5.0 / 5
How necessary attendance was
Assignments
5.0 / 5
How helpful assignments were
Weekly effort
~5
hours per week
Estimated from the original workload response buckets. Individual sections may differ.
Instructor options
Ratings below reflect only recovered evaluations connected to this course.
Across time
Section-level results available in the recovered archive.
Fall 2024
1 section