ARTH2324 · Fine Arts
Morrissey College of Arts & Sciences
Color is a fact of nature, but its making and meaning have changed dramatically over time. In this course, we will track the history of color over a five-hundred-year period, from the Renaissance to the present. Though we will focus on Europe and America, one of the recurring themes of the course will be the inseparability of color from globalization, colonialism, and imperialism. Artists such as Titian, Monet, Van Gogh, Amy Sillman, and Anish Kapoor will serve as our points of entry into this history, and we will situate their work within the scientific, philosophical, and social contexts that gave their use of color its meaning. Along the way, we will consider how entrepreneurs and politicians have exploited color for their own purposes, from the commodification of proprietary pigments to the weaponization of color as an instrument of racial prejudice. Lectures will alternate between thematic overviews of major topics in color history and in-depth case studies of specific colors. In-class projects will incorporate hands-on exploration of color through pigment grinding exercises and optical experiments. Writing projects will force us to consider how color resists linguistic description, opening a broader conversation about the relationship between visual and verbal communication.
Course experience
Averages use the original five-point historical evaluation scale.
Organization
4.9 / 5
How well the course was organized
Challenge
4.4 / 5
How intellectually challenging students found it
Attendance
4.6 / 5
How necessary attendance was
Assignments
4.7 / 5
How helpful assignments were
Weekly effort
~3
hours per week
Estimated from the original workload response buckets. Individual sections may differ.
Instructor options
Ratings below reflect only recovered evaluations connected to this course.
Across time
Section-level results available in the recovered archive.
Spring 2024
1 sectionSpring 2023
1 section